All Francesco Albani Oil Paintings

(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
 

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Francesco Albani Adonis Led by Cupids to Venus, detail oil on canvas


Adonis Led by Cupids to Venus, detail
Adonis Led by Cupids to Venus, detail
Painting ID::  76658
  1600(1600) Oil on canvas cjr
  1600(1600) Oil on canvas cjr

Height    Width


  INS/CM       Quality

X

  

Francesco Albani Diana and Actaeon oil on canvas


Diana and Actaeon
Diana and Actaeon
Painting ID::  77166
  ca. 1617(1617) Oil on copper 61 cm (24 in). Height: 52 cm (20.5 in). cjr
  ca. 1617(1617) Oil on copper 61 cm (24 in). Height: 52 cm (20.5 in). cjr

Height    Width


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X

  

Francesco Albani Holy Family oil on canvas


Holy Family
Holy Family
Painting ID::  77302
  between 1630(1630) and 1635(1635) Oil on canvas 43 cm (16.9 in). Height: 57 cm (22.4 in). cjr
  between 1630(1630) and 1635(1635) Oil on canvas 43 cm (16.9 in). Height: 57 cm (22.4 in). cjr

Height    Width


  INS/CM       Quality

X

  

Francesco Albani Spring oil on canvas


Spring
Spring
Painting ID::  77945
  between 1616(1616) and 1617(1617) Medium Oil on canvas cyf
  between 1616(1616) and 1617(1617) Medium Oil on canvas cyf

Height    Width


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X

  

Francesco Albani The Holy Family oil on canvas


The Holy Family
The Holy Family
Painting ID::  77947
  ca. 1610(1610) Medium Oil on copper cyf
  ca. 1610(1610) Medium Oil on copper cyf

Height    Width


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     Francesco Albani
     (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

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